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副标题: 恨难解 Not Reconciled Not Reconciled or Only Violence Helps Where Violence Rules
这部类型分别为：剧情片(juqingpian)
如果你也喜欢电影,并且爱看类型是没有和解,暴力,小说,Heinrich,Jean,Marie,Straub的作品的话一定不要错过
导演: 让-马里·斯特劳布,达尼埃尔·于伊耶
编剧: 海因里希·伯尔,达尼埃尔·于伊耶,让-马里·斯特劳布
今天给分享的影视作品主要是让-马里·斯特劳布,达尼埃尔·于伊耶导演,还有老戏骨Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,Heiner,Braun,Georg,Zander,Lutz,Grubnau,若阿内斯·巴尔斯基,保罗·埃塞尔由1965年上映。
目前暂定上映地区为其它,主要的受众语言其它
主要讲述了:
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
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